About Langhorne Slim:
For more than two decades, Langhorne Slim has been a fearless voice in modern Americana, known for his raw emotion and rule-breaking spirit. On his ninth album, The Dreamin’ Kind, the Nashville-based songwriter plugs in his electric guitar and dives headfirst into big-hearted, 1970s-style rock & roll. Produced by Greta Van Fleet’s Sam F. Kiszka, the record pairs power chords and soaring hooks with the vulnerable storytelling that’s long defined Slim’s work. “It felt like I was blowing some old shit up so I could plant some new flowers,” he says. “I love folk music, but rock & roll tickles the same part of my soul. I wanted to explore that.” The collaboration began after Slim opened for Greta Van Fleet, leading to loose, inspired sessions with Kiszka and drummer Danny Wagner. Together they built songs that move from the propulsive rush of “Rock N Roll” and the swagger of “Haunted Man” to the tender sweep of “Dream Come True” and “Stealin’ Time.” Recorded over a year in Nashville, The Dreamin’ Kind bridges Slim’s rootsy past with a louder, more expansive present. It’s a record of freedom and discovery, equally at home in rock clubs and around campfires—proof that Langhorne Slim, ever the dreamer, still finds new ground to break with every song.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens.
