About Langhorne Slim:
For more than two decades, Langhorne Slim has been a fearless voice in modern Americana, known for his raw emotion and rule-breaking spirit. On his ninth album, The Dreamin’ Kind, the Nashville-based songwriter plugs in his electric guitar and dives headfirst into big-hearted, 1970s-style rock & roll. Produced by Greta Van Fleet’s Sam F. Kiszka, the record pairs power chords and soaring hooks with the vulnerable storytelling that’s long defined Slim’s work. “It felt like I was blowing some old shit up so I could plant some new flowers,” he says. “I love folk music, but rock & roll tickles the same part of my soul. I wanted to explore that.” The collaboration began after Slim opened for Greta Van Fleet, leading to loose, inspired sessions with Kiszka and drummer Danny Wagner. Together they built songs that move from the propulsive rush of “Rock N Roll” and the swagger of “Haunted Man” to the tender sweep of “Dream Come True” and “Stealin’ Time.” Recorded over a year in Nashville, The Dreamin’ Kind bridges Slim’s rootsy past with a louder, more expansive present. It’s a record of freedom and discovery, equally at home in rock clubs and around campfires—proof that Langhorne Slim, ever the dreamer, still finds new ground to break with every song.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
Starting over isn’t always easy, yet resisting change is almost always fruitless. Nanna Hilmarsdóttir knew this intuitively when she began to write the songs for her first solo album, How to Start a Garden. In these ethereal yet grounded songs, she sings of being lost and hopeful, remaining calm through apocalypses large and small, with orchestration that feels as organic as a forest while also sculpted and modern.
Few debuts arrive, however, with experience as extensive as Nanna’s. After a childhood in a tiny town in rural Iceland, she spent most of her twenties in recording studios and global tours with her band, Of Monsters and Men, which arrived in 2011 to almost immediate ubiquity as their first album, My Head Is An Animal, topped charts worldwide. Their live prowess landed them headlining festival spots around the world. With three impressive and globally successful albums under their belt, Nanna found herself writing an album she felt needed to be delivered in her very own way. Like most of us, the years since 2020 have necessitated changes both mundane and enormous; like few of us, Nanna, as at home on a festival stage as in a rural cabin, is fluent in polarity.
