About G Flip:
Acclaimed singer, songwriter, producer, and multi-instrumentalist G Flip has cemented themselves as one of Australia’s most exciting musical acts, riding a wave of global momentum behind their ARIA-nominated album Dream Ride. The Melbourne-born, LA-based musical polymath’s single “Bed on Fire” has become a runaway hit after its sync placement in Prime Video’s Off Campus, exploding across Instagram and TikTok with over 30k creates and propelling the track to nearly 20M streams with over 800K global streams daily streams. Dream Ride saw G Flip step into a bold new character they’ve coined as Butch Springsteen: an ’80s-inspired blast where no drumbeat is too big and neon signs flash over a raucous Sunset Boulevard. The Dream Ride World Tour was highlighted by G’s largest shows to date, selling out arenas in Australia and selling over 50,000 tickets around the world. Named one of Out Magazine’s 100 Most Impactful and Influential LGBTQ+ People of 2025, G Flip continues to unpack their experience as a queer, non-binary artist with both vulnerability and unbridled ambition. Their most recent release, “LEZ GO” with The Beaches, keeps the momentum blazing. This November, G will be supporting Robbie Williams in stadiums across Australia. G has received recognition both home and abroad with 3 ARIA awards (10 nominations), 3 MTV EMAs and a 2 GLAAD award nominations and has been featured in Rolling Stone, Billboard, 60 minutes, Variety, NME and more. Due to overwhelming demand, G Flip has added additional shows in Europe and across the US. G Flip isn’t just leaving a trail of flames in the rearview, they’re setting the whole road on fire.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
At just 20 years old, Peter McPoland creates the kind of finespun folk-pop that feels both beautifully lived-in and undeniably original. McPoland picked up guitar at the age of 14 and taught himself to play, finding lessons to be too regimented. Within a year he’d started writing his own songs, mining inspiration from folk artists like John Prine and Gregory Alan Isakov. As shown on breakout hits like his self-released single “Romeo & Juliet,” the Texas-bred artist has an incredible gift for capturing the most nuanced emotional experiences, then bringing that expression to life in idiosyncratic detail.
