About Langhorne Slim:
For more than two decades, Langhorne Slim has been a fearless voice in modern Americana, known for his raw emotion and rule-breaking spirit. On his ninth album, The Dreamin’ Kind, the Nashville-based songwriter plugs in his electric guitar and dives headfirst into big-hearted, 1970s-style rock & roll. Produced by Greta Van Fleet’s Sam F. Kiszka, the record pairs power chords and soaring hooks with the vulnerable storytelling that’s long defined Slim’s work. “It felt like I was blowing some old shit up so I could plant some new flowers,” he says. “I love folk music, but rock & roll tickles the same part of my soul. I wanted to explore that.” The collaboration began after Slim opened for Greta Van Fleet, leading to loose, inspired sessions with Kiszka and drummer Danny Wagner. Together they built songs that move from the propulsive rush of “Rock N Roll” and the swagger of “Haunted Man” to the tender sweep of “Dream Come True” and “Stealin’ Time.” Recorded over a year in Nashville, The Dreamin’ Kind bridges Slim’s rootsy past with a louder, more expansive present. It’s a record of freedom and discovery, equally at home in rock clubs and around campfires—proof that Langhorne Slim, ever the dreamer, still finds new ground to break with every song.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
Deep in the making of their new album Exotico, British psych-rockers Temples learned of the early-modern phenomenon of phantom islands: bodies of land included on maps for a period of time but later found to be nonexistent, often the consequence of oceanic mirage or deliberate mythmaking. Produced by Sean Ono Lennon, the Kettering-bred band’s fourth full-length takes place in a similarly mystical setting, an impossibly utopic island dreamed up by singer/guitarist James Bagshaw, bassist Tom Walmsley, keyboardist/guitarist Adam Smith, and drummer Rens Ottink. With its resplendent collage of psychedelia and krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind. Equal parts cerebral and celestial, the result is a truly immersive body of work, fully affirming Temples as one of today’s most forward-thinking and endlessly inventive rock bands.
