About Langhorne Slim:
For more than two decades, Langhorne Slim has been a fearless voice in modern Americana, known for his raw emotion and rule-breaking spirit. On his ninth album, The Dreamin’ Kind, the Nashville-based songwriter plugs in his electric guitar and dives headfirst into big-hearted, 1970s-style rock & roll. Produced by Greta Van Fleet’s Sam F. Kiszka, the record pairs power chords and soaring hooks with the vulnerable storytelling that’s long defined Slim’s work. “It felt like I was blowing some old shit up so I could plant some new flowers,” he says. “I love folk music, but rock & roll tickles the same part of my soul. I wanted to explore that.” The collaboration began after Slim opened for Greta Van Fleet, leading to loose, inspired sessions with Kiszka and drummer Danny Wagner. Together they built songs that move from the propulsive rush of “Rock N Roll” and the swagger of “Haunted Man” to the tender sweep of “Dream Come True” and “Stealin’ Time.” Recorded over a year in Nashville, The Dreamin’ Kind bridges Slim’s rootsy past with a louder, more expansive present. It’s a record of freedom and discovery, equally at home in rock clubs and around campfires—proof that Langhorne Slim, ever the dreamer, still finds new ground to break with every song.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
Head Automatica is the somewhat unlikely pairing of vocalist Daryl Palumbo (of New York City’s hardcore outfit Glassjaw) and producer Dan the Automator (aka Dan Nakamura of Gorillaz, Handsome Boy Modeling School). Introduced by mutual friends, the duo began work on their debut, aiming for a sound somewhere in between the Automator‘s beats and squiggles and Palumbo’s penchant for rock and punk. When Decadence appeared in late summer 2004, its groove was just that — a bright and trashy mix of electronics and rock & roll, the kind of thing for which late nights were made. Palumbo and Automator put together a road band and toured in support of the record, sharing shows with such disparate acts as Lostprophets, Thrice, Interpol, and the Rapture along the way. However, Palumbo’s ongoing battle with Crohn’s disease, which the singer suffered from since childhood, continued to give him problems while on the road; various tour dates had to be canceled as he spent time in hospitals to receive treatment.
The frontman continued to relapse as work on Head Automatica’s sophomore effort began; his sickness persisted during the bulk of the recording process. The band — now comprised of Palumbo, drummer Larry Gorman (ex-Glassjaw), bassist Jarvis Morgan Holden (ex-Give Up the Ghost), guitarist Craig Bonich, and keyboardist Jessie Nelson — enlisted the talents of producer Howard Benson to help create an album with a “bright, crisp sound.” The resulting Popaganda was issued in June 2006. It proved to be an aptly named album that, without Dan the Automator around, largely lacked the electronics of Decadence, instead boasting a relatively more straightforward guitar sound largely influenced by late-’70s pop. A subsequent summer tour was spent opening for Taking Back Sunday alongside Angels and Airwaves and the Subways.
