About BAYNK:
Jock Nowell-Usticke once aspired to make sunny electronic music meant for summer festivals and poolside hangs, intimate dance songs that glittered with bright-eyed wonder and smiling charm. As an engineering student in New Zealand, he played saxophone and keys in a band but became increasingly drawn to big-tent dance acts like Skrillex and Flume, whose production wizardry Jock thought transcended his classically trained skillset. Shortly after downloading Ableton, however, he released a few downtempo electronic songs under the alias BAYNK and soon garnered a large, devoted fanbase, as well as a reputation as one of the most promising young talents in electronic music. Now, ten years into his career, BAYNK has netted hundreds of millions of streams, sold-out international tour dates, festival-headlining sets, and a Grammy nomination, establishing himself as a quietly visionary artist who continues to expand his sound and aesthetic palate with each new project
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
About The Dear Hunter:
The Dear Hunter started as a solo side project by singer and keyboardist Casey Crescenzo, evolving within a decade to become an expansive indie prog endeavor that captured a deeply devoted fan base with a sprawling album mythology. The first installment of that story arrived in 2006 as Act I: The Lake South, The River North. Subsequent albums created a vast cast of characters and an intricate plot that evolved alongside Crescenzo’s developing craft and songwriting skills.
By the 2010s, the project neared its proposed sixth-volume conclusion with Act IV: Rebirth in Reprise (2015) and Act V: Hymns with the Devil in Confessional (2016), catalog highlights that showcased Crescenzo’s knack for storytelling and the ability to seamlessly merge earnest indie rock anthems with orchestral flourish that rivaled seasoned composers of film scores. Scattered amongst the Acts, the Dear Hunter also issued releases such as 2011’s The Color Spectrum, 2013’s Migrant, and 2022’s sci-fi epic Antimai.
