All Shows

Sep/13 · Sextile
Sep/15 · Arc De Soleil: La Mirage Tour
Sep/16 · *CANCELED* DYSTINCT’S BABABA WORLD TOUR
Sep/17 · Beach Fossils
Sep/18 · Chaparelle
Sep/19 · INIKO – Awakening The Empire North American Tour
Sep/20 · Arcy Drive: The Pit Tour
Sep/21 · SE SO NEON – NOW North American Tour 2025 
Sep/22 · Samia
Sep/23 · Skinshape
Sep/24 · The Bones of J.R. Jones
Sep/25 · High Vis
Sep/26 · Cameron Whitcomb – I’ve Got Options Tour
Sep/27 · Spacey Jane – If That Makes Sense Tour
Sep/28 · Redferrin
Sep/30 · BETWEEN FRIENDS – WOW! TOUR
Oct/1 · Night Tapes – portals//polarities Tour
Oct/3 · múm
Oct/5 · DUCKWRTH – All American Freak Show Tour
Oct/6 · MIRADOR
Oct/7 · Bayker Blankenship
Oct/9 · Covet
Oct/10 · BAD SUNS: ACCELERATOUR 2025
Oct/11 · French Police
Oct/12 · Balu Brigada
Oct/13 · Ty Segall
Oct/15 · DURRY – Your Friend From The Real World Tour
Oct/17 · Jeremy Zucker – Welcome to the Garden State Tour
Oct/18 · Earthless
Oct/19 · Frankie Cosmos
Oct/25 · *CANCELED* Kneecap
Oct/26 · Geese – The Getting Killed Tour
Oct/27 · 6ARELYHUMAN
Oct/29 · Night Moves
Nov/1 · EDEN – Dark Tour
Nov/2 · The New Mastersounds – Ta-Ta For Now Tour
Nov/5 · Blondshell
Nov/7 · Margo Price – Wild At Heart Tour
Nov/8 · Marlon Funaki
Nov/9 · Midnight Til Morning
Nov/10 · Peter McPoland: Big Lucky Tour
Nov/11 · Cut Copy
Nov/12 · SOFIA ISELLA
Nov/13 · Lily Rose – I Know What I Want Tour 2025
Nov/15 · hannah bahng: The Misunderstood World Tour
Nov/18 · Lucius
Nov/21 · The Brothers Comatose
Nov/22 · Leith Ross
Nov/28 · CUMBIATRON
Nov/29 · J-Fell and Nite Wave Present: The Cure, Depeche Mode & New Order Tribute Night
Dec/4 · Violent Vira
Dec/6 · Foxwarren
Dec/10 · Electric Guest
Dec/13 · Earlybirds Club
Jan/31 · Ruston Kelly – Pale, Through the Window Tour
Feb/2 · Don Broco
Feb/12 · shame
Mar/4 · Monolink
Apr/28 · Patrick Watson – Uh Oh Tour

All Shows

Upcoming Events

Monqui Presents

with special guest Nuovo Testamento

Saturday, September 13
Doors : 7pm, Show : 8pm
all ages
$14.16 to $57.94

About Sextile:

Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.

The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.

Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.

 
 
 
 
 
 
Monqui Presents

with special guest Nuovo Testamento

Saturday, September 13
Doors : 7pm, Show : 8pm
all ages
$14.16 to $57.94

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Monday, September 15
Doors : 7pm, Show : 8pm
all ages
$14.16 to $65.15

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

Tuesday, September 16
Doors : 7pm, Show : 8pm
all ages

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With special guests Launder and girlpuppy

Wednesday, September 17
Doors : 7pm, Show : 8pm
all ages
$14.16 to $52.02

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With special guest Jeffrey Silverstein

Thursday, September 18
Doors : 7pm, Show : 8pm
all ages
$14.16 to $29.10

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With special guests Bryan Breeding and Evolution Of The Revolution

Friday, September 19
Doors : 7pm, Show : 8pm
all ages
$14.16 to $61.03

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

with special guest Foxtide

Saturday, September 20
Doors : 7pm, Show : 8pm
all ages
$14.16 to $111

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With Special Guest SASAMI

Sunday, September 21
Doors : 7pm, Show : 8pm
all ages
$14.16 to $73.90

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

with special guest Renny Conti

Monday, September 22
Doors : 7pm, Show : 8pm
all ages
$14.16 to $88.43

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

with Sons of Sevilla

Tuesday, September 23
Doors : 7pm, Show : 8pm
$29.25 to $34.25

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With special guest Byland

Wednesday, September 24
Doors : 7pm, Show : 8pm
all ages
$14.16 to $35.02

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

with No Warning, Gag, Cold Gawd

Thursday, September 25
Doors : 7pm, Show : 8pm
all ages
$14.16 to $52.02

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With Danielle Finn

Friday, September 26
Doors : 7pm, Show : 8pm
all ages
$36.05 to $161.78

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Saturday, September 27
Doors : 7pm, Show : 8pm
all ages
$14.16 to $143.69

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With special guest Shaylen

Sunday, September 28
Doors : 7pm, Show : 8pm
all ages
$14.16 to $397.84

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Showbox Presents
Tuesday, September 30
Doors : 7pm, Show : 8pm
all ages
$37.08 to $161.71

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With special guest Cult of Venus

Wednesday, October 1
Doors : 7pm, Show : 8pm
all ages
$14.16 to $52.02

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With special guest GYDA

Friday, October 3
Doors : 7pm, Show : 8pm
all ages
$14.16 to $69.27

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With special guest DE'WAYNE

Sunday, October 5
Doors : 7pm, Show : 8pm
all ages
$14.16 to $147.86

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Monday, October 6
Doors : 7pm, Show : 8pm
all ages
$14.16 to $35.28

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Tuesday, October 7
Doors : 7pm, Show : 8pm
all ages
$14.16 to $53.56

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

with LITE & Wylie Hopkins

Thursday, October 9
Doors : 7pm, Show : 8pm
all ages
$14.16 to $57.94

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

with Joe P

Friday, October 10
Doors : 7pm, Show : 8pm
all ages
$14.16 to $57.94

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Saturday, October 11
Doors : 7pm, Show : 8pm
all ages
$14.16 to $57.94

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With special guest Tommy Newport

Sunday, October 12
Doors : 7pm, Show : 8pm
all ages
$30.02 to $52.02

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Monday, October 13
Doors : 7pm, Show : 8pm
all ages
$14.16 to $44.55

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With special guest Gully Boys

Wednesday, October 15
Doors : 7pm, Show : 8pm
all ages
$14.16 to $114.38

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Friday, October 17
Doors : 7pm, Show : 8pm
all ages
$14.16 to $301.13

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

with Minami Deutsch

Saturday, October 18
Doors : 7pm, Show : 8pm
ages 21 +
$14.16 to $52.02

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Sunday, October 19
Doors : 7pm, Show : 8pm
all ages
$14.16 to $56.14

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With special guest Bricknxsty

Saturday, October 25
Doors : 7pm, Show : 8pm
all ages

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Sunday, October 26
Doors : 7pm, Show : 8pm
all ages
$40.43 to $121.44

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Showbox Presents

With special guest Dev

Monday, October 27
Doors : 7pm, Show : 8pm
all ages
$37.08 to $168.32

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With special guest Sam Blasucci

Wednesday, October 29
Doors : 7pm, Show : 8pm
all ages
$14.16 to $28.84

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Showbox Presents

with special guests greek & DJ Krewes

Saturday, November 1
Doors : 7pm, Show : 7pm
all ages
$45.58 to $230.60

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

Sunday, November 2
Doors : 7pm, Show : 8pm
all ages
$14.16 to $62.57

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Wednesday, November 5
Doors : 7pm, Show : 8pm
all ages
$29.10

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

with special guest Dillon Warnek

Friday, November 7
Doors : 7pm, Show : 8pm
all ages
$14.16 to $171.08

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Saturday, November 8
Doors : 7pm, Show : 8pm
all ages
$14.16 to $28.84

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Showbox Presents
Sunday, November 9
Doors : 7pm, Show : 8pm
all ages
$0 to $192.42

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Monday, November 10
Doors : 7pm, Show : 8pm
all ages
$14.16 to $142.93

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

with Ora The Molecule

Tuesday, November 11
Doors : 7pm, Show : 8pm
all ages
$14.16 to $63.60

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Wednesday, November 12
Doors : 7pm, Show : 8pm
all ages
$14.16 to $58.97

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Showbox Presents
Thursday, November 13
Doors : 7pm, Show : 8pm
all ages
$37.08

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

Saturday, November 15
Doors : 7pm, Show : 8pm
all ages
$46.35 to $200.28

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With Attention Bird Utopia

Tuesday, November 18
Doors : 7pm, Show : 8pm
all ages
$52.53 to $150.12

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

with Goodnight, Texas

Friday, November 21
Doors : 7pm, Show : 8pm
all ages
$14.16 to $62.57

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Saturday, November 22
Doors : 7pm, Show : 8pm
all ages
$14.16 to $52.02

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Friday, November 28
Doors : 7pm, Show : 8pm
all ages
$28.84

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
J-Fell and Nite Wave Present
Saturday, November 29
Doors : 7pm, Show : 8pm
all ages
$35.02

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Thursday, December 4
Doors : 7pm, Show : 8pm
all ages
$14.16 to $165.60

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With special guest Hannah Frances

Saturday, December 6
Doors : 7pm, Show : 8pm
all ages
$14.16 to $63.60

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

Wednesday, December 10
Doors : 7pm, Show : 8pm
all ages
$35.43 to $63.60

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Saturday, December 13
Show : 6pm
ages 21 +
$40.43

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents

With special guest verygently

Saturday, January 31
Doors : 7pm, Show : 8pm
all ages
$14.16 to $183.75

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Monday, February 2
Doors : 7pm, Show : 8pm
all ages
$14.16 to $52.02

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Thursday, February 12
Doors : 7pm, Show : 8pm
all ages
$14.16 to $52.02

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Wednesday, March 4
Doors : 7pm, Show : 8pm
ages 21 +
$41.35 to $69.27

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.

 
 
 
 
 
 
 
 
 
Monqui Presents
Tuesday, April 28
Doors : 7pm, Show : 8pm
all ages
$42.90 to $70.30

This performance has been moved from The Crystal Ballroom. All previously purchased 070 Shake Crystal Ballroom tickets will be honored at the Wonder Ballroom.

About 070Shake:

You can’t put 070Shake into a box. The artist born Danielle Balbuena makes renegade anthems that exhibit her ever-shifting, experimental spirit, while maintaining a glowing core of pure emotion. Since her breakout in 2018, she established her chameleonic presence across the worlds of rap, R&B, alternative, and pop through two ambitious studio albums: 2020’s Modus Vivendi and 2022’s You Can’t Kill Me. Now, she readies Petrichor, her third album and most daring, fully fleshed out statement yet, arriving November 15.

The title Petrichor refers to the earthy scent that accompanies a rainfall—one of Shake’s favorite scents after her mother always pointed it out to her while growing up. “It brings me to this part of myself where I feel oneness with everything that I’ve ever been through, every age that I’ve ever been,” Shake says of the smell. She’s contributed piercing hooks to tracks by Kanye West, Nas, and Pusha T, and scored a UK No. 1 hit with her RAYE collaboration, “Escapism.” But Petrichor is Shake’s true original statement, bringing together fractured facets of Shake’s life and spirit, and weaves it all into a heroic tale.

Petrichor displays Shake’s most adventurous and far-reaching compositions to date, as she embarks on a search for salvation while battling the vices of the world and the inner turmoil of her mind. Opener “Sin” plunges the listener into this twisted universe: “Let’s go to Sin City/I ain’t talkin’ Las Vegas/…I don’t care how lost we get,” she sings over menacing synths. The LP then sees Shake falling deep into an irreversible romance to which she must fully surrender. The album portrays this odyssey by careening through psychedelic guitars, nocturnal dance beats, melodramatic piano, classic rock-inspired melodies, and soul-bearing lyricism.

“It starts with ‘Sin,’ which represents where I was at the time. But then the project says: ‘Let’s go through this darkness together and make it out the other side,’” Shake explains of the album executive produced in partnership with her longstanding collaborator Dave Hamelin. “It finishes with ‘Love,’ and everything in-between was the journey. As long as you realize in the end that everything is love, then you can appreciate the road you took to get there.”

Shake attributes the album’s unpredictable sound to the way that she lets songs “lead her” in the creation process. “It feels like I’m channeling something when I’m recording,” she explains. “I’m waiting until I find this thing that’s searching for me, and I’m not satisfied until what I hear in my head is manifested in the music. I think it’s also my ADHD—when I hear a song going a certain way for too long I just have to take it somewhere else.” Or on “Elephant,” a song about having her first fight with a lover on a rowdy night out, Shake ended up keeping unconventional chord switches that were originally a “mistake” in the studio. “A lot of times, people have to be careful with making mistakes around me because I end up liking it more,” she laughs.

A wide range of guests lend their voices to Petrichor’s epic narrative, including Courtney Love on Shake’s cover of the 1970 Tim Buckley song “Song to the Siren,” JT of City Girls on the mystical track “Into Your Garden,” and Nashville singer-songwriter Cam on the euphoric “Never Let Us Fade.” Lily-Rose Depp appears on the emotionally charged “Blood On Your Hands,” on which Shake recites a spoken-word passage of devotion to a “fatal lover.” Then Depp enters, reading aloud from a letter she had originally written to Shake that begins with the words: “I cannot begin to untangle myself from you.”

Depp also appears as a muse in the music video for “Winter Baby / New Jersey Blues,” a song that honors Shake’s present and past; the track’s first half was inspired by her current home of southern California and 1950s surf rock, while the second half is an homage to her New Jersey upbringing where she “paid her dues.” Bridging these worlds is Shake’s greaser character in the video, inspired by S.E. Hinton’s coming-of-age drama The Outsiders. Other visual inspirations for the album include Ingmar Berman’s 1966 psychological drama Persona and Sergei Parajnov’s 1969 poetic classic The Color of Pomegranates.

As she strips back the Auto-Tune and focuses on delivering rawness and vulnerability—while being more exploratory than ever before—Shake finds her true self on Petrichor. “Right now, I’m rediscovering my voice and becoming one with it,” she says.