About SPELLLING:
SPELLLING, the moniker of the Bay Area experimental pop mastermind Chrystia Cabral, has emerged as a visionary artist, pushing the boundaries of genre and captivating audiences with her richly envisioned albums and enchanting live performances.
SPELLLING gained widespread recognition with the release of her critically acclaimed debut album, Pantheon of Me, in 2017. The album showcased her prodigious talent as a songwriter, producer, and multi-instrumentalist. In 2019, she signed to Sacred Bones and released her highly anticipated sophomore album, Mazy Fly, further elevating her artistic vision and expanding her sonic palette. In 2021 she released her breakthrough project The Turning Wheel, which saw her orchestrating and self-producing an album that features an ensemble of 31 collaborating musicians. The Turning Wheel has become a career-defining opus for the artist. The album received widespread unanimous praise, earning itself The Needle Drops #1 album of the year in 2021. SPELLLING and her band ‘The Mystery School’ have also become renowned for their live performances with Cabral’s idiosyncratic stage presence and the bands incredible musicianship and spiritual sense of communion with the audience. A collection of reenvisioned songs from throughout SPELLLING’s critically-acclaimed discography was released in 2023, breathing new life into the extravagant orchestrations she’s written and produced entirely herself.
2025 sees the release of her awaited fourth album Portrait of My Heart. A deeply personal album, Portrait of My Heart explores SPELLLING’s relationship to intimacy, blending energetic arrangements and emotional rawness with her singular voice to deliver love songs that cement her place as a groundbreaking songwriter.
As SPELLLING continues to evolve and explore new musical territories, she further solidifies herself as a once in a lifetime artist. Her ability to create beautiful soundscapes that transport listeners to other realms along with her transcendent live performances have earned her legions of dedicated fans. With each release, SPELLLING invites us on a mesmerizing journey into her world, leaving an indelible mark on the hearts and minds of her listeners.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
