About X Ambassadors:
X Ambassadors are a multi-platinum trio formed by brothers Sam Nelson Harris (vocals, guitar, saxophone, bass) and Casey Harris (piano, keys) while the pair were in high school in Ithaca, New York. Later joined by Adam Levin (drums) upon moving to Brooklyn, the trio have gone on to dominate the alternative charts over the last decade.
Forming in 2009, the band exploded with the success of their debut album, VHS (2015). The platinum certified album provides an intimate look into the childhood of Sam and Casey, and features massive hit singles “Unsteady” and “Renegades,” which have over 1.3 billion streams on Spotify combined and led the band to a three-year world tour. VHS was followed by ORION (2019), the Belong EP (2020), a series of collaborative singles featuring artists such as BRELAND, Teddy Swims & Jac Ross, Medium Build and PAMÉ.
Outside of X Ambassadors, Sam Nelson Harris has had an eclectic career as a songwriter and producer for artists such as D4VD, 21 Savage, Rihanna, Lizzo, Travis Scott, The Weeknd, SZA and Maren Morris. He has also collaborated with artists including Eminem, Jay-Z, Jacob Banks, K.Flay, grandson, The Knocks, Kygo, Illenium and Machine Gun Kelly. Sam has played the world’s biggest music festivals, headlined countless nationwide and world tours, celebrated a #1 song at Alternative radio and multiple songs in the Top 10. He has recently begun releasing his own solo music for the first time under the name of Sam Nelson.
The band’s latest release, Townie came out on April 5th (2024) —an album that marks a compelling new chapter for the band as they return to their upstate New York roots. Across 12 deeply personal tracks, the group crafts an intricate portrait of their hometown’s most mundane aspects and the community that shaped them.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
Why Are The Residents?
The Louisiana-born members of the enigmatic avant-pop collective known as The Residents operate out of a shadowy alternate version of San Francisco. They have no names, no faces, no gender, no age, no race, no identities at all. In a word, they’re FREAKS, yet over the past half century and across roughly 50 albums—from 1972’s Santa Dog to their most recent, 2020’s Metal, Meat & Bone—they’ve thrown the culture into a virtual mixmaster, deconstructing, reconstructing, and reflecting it back at us through an alien prism. While you were looking the other way, they had a radical and profound influence on how we perceive music, video, performance and multimedia.
