About Aaron Hibell:
Hailing from a small village in the UK, Aaron Hibell crafts immersive electronic music that blends atmospheric textures, intricate rhythms, and layered sonic detail, producing work that is as emotionally resonant as it is compelling on the dancefloor. His sound moves seamlessly between introspective depth and club ready energy, reflecting a meticulous, process-driven approach to production.Hibell began self-releasing his Monastery of Sound mixtape trilogy, quietly refining his sound across three volumes on SoundCloud, before releasing his debut EP, Twilight Zone, and sophomore EP, Astral Projection, independently on his label imprint, all time high. These releases established a sonic identity rooted in texture, tension, and emotional flow, laying the foundation for his forthcoming debut album. In spring 2025, Hibell premiered his live show for Cercle in Paris, which led into a sold-out North America and Europe tour in fall 2025, with shows selling out globally within minutes and the run culminating in his hometown of London. The tour also subtly introduced his first album, showcasing his ability to translate studio detail into a commanding live experience. Beyond his own narrative driven work, Hibell has delivered official remixes for Oklou, Naomi Sharon, Billie Eilish, and a yet to be released but highly anticipated Empire of the Sun rework. He’s collaborated with techno heavy hitters including Amelie Lens and Sara Landry, he co-scored the Tetris film with Lorne Balfe, and co-wrote the single ghost with Daniel Adams-Ray and Avicii. His work bridges studio experimentation, collaborative ventures, and festival-ready energy, all with a keen sense of emotional storytelling. With his debut album, SYNCHRONICITY, arriving in early 2026, Hibell continues to push the boundaries of electronic music, creating richly textured, evolving soundscapes that are at once intimate, immersive, and electrifying, resonating in the club as powerfully as they do in quiet reflection.
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
