Powered by Underdog Sports Leagues to celebrate our 20th anniversary in Portland!
There’s no better way to celebrate this major milestone than to throw a Halloween Bash dance party with a live DJ and costume contest! It’s been 10 years since our last Bash at Wonder Ballroom where we packed the dance floor to capacity and saw some of the best and most creative costumes to date.
Costume Contest will be open to anyone (free of charge) – no need to pre-register for it. We’ll take your name and picture when you arrive (only those that want to enter the costume contest) and crown a champ by the end of the night.
This dance party is open to everyone – regardless of whether you’ve played in Underdog’s 21+ recreational sports leagues or not. Come solo or with friends and we’ll bring the fun like always!
Check out more about our 21+ recreational sports leagues at www.underdogportland.com
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
