About Sextile:
Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push.
The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof.
Scaduto, who grew up in New York, and the Virginia-raised Keehn originally met in NYC before relocating to LA and forming Sextile. In 2015, they were joined by guitarist and synth player Eddie Wuebben, embracing “occult-inspired” post-punk for their debut album A Thousand Hands (2015), amping up the synths for 2017 follow-up Albeit Living, and leaning into this further for 2018’s electronically minded EP 3. Sextile went on hiatus following a difficult period marked by the tragic passing of Wuebben in October 2019. They later re-emerged with former bassist Cameron Michel on guitar and synths and released the “Modern Weekend” / “Contortion” single in 2022.
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
About La Luz:
“I was in a dream, but now I can see that change is the only law.”
With a credo adapted from sci-fi author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist/songwriter learns to embrace a changing world with unconditional love on ‘News of the Universe’, the new album from La Luz.
A record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just 2 years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one.
Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, the release is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on this album, which might be La Luz’s most brutal record to date but also their most blissful. After everything, how could it not?
