About Haute & Freddy:
Haute & Freddy is the dazzling brainchild of Michelle Buzz and Lance Shipp. The duo released their first single “Scantily Clad,” sparking a devoted fanbase. The song has landed them on Spotify playlists Lorem, Obsessed, and the cover of Fresh Finds paving the way for their second single “Anti-Superstar,” which has also been embraced with equal support and looks on multiple Spotify playlists leading to them being named on Spotify’s Artists To Watch for 2026. Their third single “Shy Girl” is currently their most streamed track and has been licensed 5 times over for film & tv projects. Fast forward to now, and the comment sections are buzzing with fans speaking in Ren Faire lingo, while their shows are filled with attendees crafting their own jester hats, as a mime clown joyfully twists balloon crowns for the rest of the Royal Court—aka H&F’s loyal followers. With their debut album on the horizon and their sold-out Mini Grand Tour under their belt, Haute & Freddy’s momentum is picking up speed. Fans devoured the recently released videos for “Shy Girl”, “Sophie” and “Freaks.” More festivals and tour dates in the works for 2026 when the album drops. Their latest single is a new anthem “Dance The Pain Away” out now, with their debut album Big Disgrace coming out via Atlantic Records on March 13th. Their love for theater, obscure synths, and underground club culture runs deep, infusing every track with an audacious energy. The duo moves through their music like runaway carnies, crashing through the veneer of polite society with all the flair of an 18th-century escapade.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
