About Public Image Ltd.:
Formed by John Lydon in the wake of the collapse of the Sex Pistols, Public Image Ltd. is a shape-shifting musical project in which the bilious singer and lyricist explored his ideas without compromise. Depending on what period of the band’s career you choose, Public Image Ltd. (officially abbreviated PiL) could sound like bass-heavy post-punk thunder (1978’s Public Image: First Issue), an inspired fusion of Krautrock and dub (1979’s Metal Box), muscular and expertly executed alternative rock (1986’s Album), or polished but angular dance-friendly pop (1989’s 9), with many other stops along the way. Despite a constantly shifting lineup and musical approach, Lydon’s bitter howl — full of anger, pain, and sometimes sardonic wit — gave PiL’s many guises a musical and thematic through line, and at their best, his collaborators created music as powerful and absorbing as Lydon’s intense charisma. Lydon revived PiL for live work in 2009, and the reunion albums This Is PiL (2012), What the World Needs Now (2015), and End of World (2023) featured some of his strongest work since the ’80s.
On January 14, 1978, the Sex Pistols played the final show on their American concert tour following the release of Never Mind the Bollocks, Here’s the Sex Pistols, and three days later, the band split up. John Lydon first traveled to Jamaica, where he and Virgin Records head Richard Branson scouted local reggae talent, and then Lydon returned to London. Lydon soon approached an old friend, Jah Wobble (aka John Wardle), about forming a new band. In May 1978, vocalist Lydon and bassist Wobble recruited onetime Clash guitarist Keith Levene and drummer Jim Walker, and the four began rehearsing. Two months later, Lydon named the band Public Image, adding the Ltd. several weeks later. Virgin Records quickly signed Lydon’s new act, and their debut single, “Public Image,” was released in October 1978. It was a chart success, and the following December, the band dropped their first album, Public Image: First Issue. While the record sold well in England and did well in America as an import, it would remain unreleased in the United States until 2013. The group, in suitably contrary fashion, played their first live show on Christmas Day 1978.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
About Cherub:
Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”
It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their four-year major label run brought their fans two LPs, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining four US tours. Now, a double platinum record and over 300 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.
Their latest chapter sees Cherub sharpening their stakes with their brand-new album Everything Changes and That’s OK, anchored by the high-gloss singles “Long Story Short,” “Motion,” and “Crime Scene.” On “Long Story Short” they joined forces with Louis Futon in the producer’s chair, turning their garage-grown vibe into something polished and immediate. “Motion” leans into their dreamy electronic pop roots, while “Crime Scene” lands with a darker edge, proving they still know how to flip the switch. As Huber put it earlier this year: “This record is us embracing where we’ve been and moving fast toward where we want to go.”
From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.
