About Don Broco:
Always unique, and forever pushing boundaries, Don Broco are never ones to follow the trend and the new album Amazing Things, released on the 22nd October 2021 via SharpTone Records, is very aptly named. It’s yet another genre-bending masterpiece with electro, rock, pop, metal and more all wrapped up in their own unique blend, bringing to mind the likes of Deftones, Beastie Boys, Linkin Park and Limp Bizkit amongst others… but simultaneously sounding like nobody else on earth. The album campaign was launched with a headline performance at Slam Dunk and a secret Reading & Leeds festival set.
Amazing Things is the band’s fourth album and first UK #1, and follows the release of 2018’s Technology, which was a Top 5 album in the UK charts and has had over 100 million streams to date, and also 2015’s Automatic, which provided the band with their first Top 10 album in the UK.
Garnering nothing but praise for their relentless high-octane performances, Don Broco have previously sold-out arena shows across the UK, headlining Wembley Arena, two sold out nights at London’s Brixton Academy as well as selling out Alexandra Palace for the second time in the band’s career.
They’ve done festival performances around the world including Vans Warped Tour, Download, Reading & Leeds, Slam Dunk & more. They have also toured with the likes of Mike Shinoda, State Champs, Dance Gavin Dance and Our Last Night in the US as well as selling out their very own Debut US headline tour.
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
About Frankie Cosmos:
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
