About Gallant:
Alternative R&B artist Gallant is known for a striking falsetto, heartfelt narratives, and a seemingly natural ability to adapt to any production style. The singer and songwriter made his full-length debut with the Grammy-nominated Ology (2016), and has since issued even more vulnerable and expressive projects such as Sweet Insomnia (2019), Neptune (2021), and Zinc. (2024). Between the latter two, he teamed with Terrace Martin to record a short, self-titled album under the name sneek.
A native of Maryland, Christopher Gallant attended New York University and relocated to Los Angeles following graduation. Across 2013 and 2014, he self-released a series of dusky singles, as well as an EP, Zebra. Having impressed Jake Udell, manager of EDM acts Krewella and ZHU, Gallant then associated with David Dann’s Mind of a Genius label, the Warner Bros.-supported outlet for the 2015 releases “Open Up,” “Talking in Your Sleep,” “Learn to Fly” (a Foo Fighters cover), and “Weight in Gold.” Like the earlier tracks, these songs enhanced Gallant’s expressive vocals with deep-probing bass and shadowy layers of percussion and keyboards.
His debut album, Ology, followed in 2016 along with “Skipping Stones,” a single co-produced by Adrian Younge and Stint that featured guest vocalist Jhené Aiko. A number 39 hit on Billboard’s R&B/hip-hop chart, Ology was later nominated for a 2016 Grammy Award in the category of Best Urban Contemporary Album. A string of singles and collaborations during the next couple years led to the 2019 release of Sweet Insomnia, Gallant’s second full-length, with Sabrina Claudio and 6LACK as guest vocalists.
Gallant then went independent, and in March 2021 returned with Neptune, a self-released EP featuring appearances from Brandy, Arin Ray, and VanJess. In 2023, he linked with Terrace Martin for his most organic recording, issued under the duo alias sneek. Released that November, sneek was highlighted by the lead single “311!,” featuring trumpet from Keyon Harrold and keyboards from Robert Glasper. Gallant made his third solo full-length primarily with Latin Grammy-nominated producer Ariza (Camilo, Dua Lipa, Lalah Hathaway) and additional assistance from the likes of Stint, Biako, and Ralph Castelli. The swirling album, titled Zinc., landed in September 2024. The set, featuring a duet with Nao, further blurred genre distinctions with alternately airy and driving rhythms hinting at rock and drum’n’bass without ever completely dissociating from R&B.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
About Cults:
Cults sound like the moment dawn breaks. Akin to light piercing a dark corner, the multiplatinum New York duo, comprised of multi-instrumentalists Madeline Follin and Brian Oblivion—temper shadowy cinematic soundscapes with flickering melodic singalongs. This uncanny ability to balance alternative sonic architecture with unassuming pop songcraft has threaded their music into the DNA of 21st century culture. True outliers, they persist as the rare phenomenon equally comfortable collaborating with The Weeknd, rap titan J. Cole or maverick indie director Jim Jarmusch. Simultaneously, they’re a dynamic presence that’s just as at home on stage at Coachella as they are supporting The Pixies and Vampire Weekend. All the while, their music has surged through popular television series and films.
However, the pair confidently and clearly perfect their signature vision on their fifth full-length LP, To The Ghosts [IMPERIAL].
“Without knowing it, we’ve spent our whole career building a world of our own,” observes Brian. “We just try to create the emotion that we want to feel. This record is another piece of the picture, but the picture isn’t done yet. We’d be in Cults no matter what. It’s the way we live our lives.”
“We’ve never known life any other way,” agrees Madeline. “We began the band in college, and we haven’t stopped. Cults is life.”
The group first materialized out of New York in 2010. Thus far, they’ve built a world anchored by four acclaimed albums, namely Cults [2011], Static [2013], Offering [2017], and Host [2020]. Along the way, the staple “Always Forever” reached RIAA platinum status, and Offering’s “Gilded Lily” endured as a phenomenon. It took TikTok by storm with 200K-plus “creates” in 2022 and notched a gold certification. Their loyal legion of fans includes early devotees, as well as new converts who organically discovered them along the way. Their virality is a testament to the band’s relatable lyricism and authenticity which consistently resonates with audiences.
