About Leprous:
The only thing that remains constant in the world of Leprous is change. Formed in 2001 in Notodden, Norway, this most agile of modern bands were dedicated to finding their own path from the very start. Fizzing with inspiration from all points of the musical spectrum, their sound coalesced around a box-fresh strain of progressive metal that brimmed with virtuosity and revelled in meticulous songcraft. Over the last two decades, Leprous have firmly established themselves as heavyweights in the alternative and prog worlds. From the burgeoning ingenuity of debut album Tall Poppy Syndrome (2009) and its widely acclaimed follow-up Bilateral (2011), to more recent creations like the skewed, prog metal splurge of The Congregation (2015) and 2019’s downbeat but dazzling Pitfalls, everything the band have released has added fuel to the fire of their ambitions, while also converting an increasingly huge audience of admirers from all over the globe.
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
About JD McPherson:
Over the course of 12 years, four studio albums and two EPs, JD McPherson has blazed a singular musical trail, one steeped in a deep affinity for foundational rock ‘n’ roll, rockabilly and r&b (among other mid-century American-made sounds), and filtered through a unique and alluringly idiosyncratic songwriting sensibility. While the Broken Arrow, Oklahoma native testifies that he “really loves those classic styles, and the driving force of those old songs,” he also affirms that he doesn’t approach his music like a museum piece. Rather, McPherson says, “I think about it like, ‘Why not throw some of those rhythms and sounds into a blender and see what comes out?’ ”
Why not, indeed. And to be sure, what has emerged from JD’s musical blender this time out is something unlike anything in his catalog. The new Nite Owls, his fifth studio full-length, shows McPherson further sharpening his songcraft in the service of ten tight, dynamic and hard-hitting rock ‘n’ roll tunes. At the same time, he also reached deeper into his stylistic toolbox to incorporate elements of glam, new wave, post-punk, surf rock and other sounds into the mix. “To me, the thread between Duane Eddy and Depeche Mode is that single-note, reverb-y guitar style,” McPherson says about connecting some of these sonic dots. “So it felt natural to blend that kind of big-string guitar thing with the classic stuff and a dash of surf. It made sense.”
