About Kishi Bashi:
Kishi Bashi is the pseudonym of Emmy-nominated singer, songwriter, and multi-instrumentalist Kaoru Ishibashi. Born in Seattle, Washington, and raised in Norfolk, Virginia, Ishibashi is a virtuoso violinist and a Berklee College of Music alumnus. He is renowned for his groundbreaking collaborations with symphonies across the U.S., such as the National Symphony Orchestra (Kennedy Center), Chicago Philharmonic, Seattle Symphony, and Oregon Symphony. His orchestral work has expanded his reach, blending classical and pop influences in performances that continue to captivate audiences worldwide.
As a violinist, Kishi Bashi has recorded and toured internationally with artists like Regina Spektor, Sondre Lerche, and indie band of Montreal, and has made appearances on major late-night TV shows including SNL, David Letterman, Conan, and Jimmy Fallon. His original music has been featured in commercials for major brands like Microsoft, Samsung, American Express, Target, and Apple. His debut album 151a (2012) received high praise from NPR’s Bob Boilen, who called it “a radiant, uplifting soundscape.” This launched Kishi Bashi onto major festival stages such as SXSW and Austin City Limits and began his journey as a critically acclaimed solo artist.
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
About Wolves in the Throne Room:
Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners.
After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor recycled past glories. They continue to rise with unparalleled strength, and Estuary is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM express nature’s current, bypassing the confines of a musical landscape that trended toward homogenization. In their music, nature is not an object nor a passive backdrop. It is the evolutionary spirit which breaks into new territory.
Estuary is resonant with that hardwiring; rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Nathan Weaver (lead vocals, guitar) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
