About Public Image Ltd.:

Formed by John Lydon in the wake of the collapse of the Sex Pistols, Public Image Ltd. is a shape-shifting musical project in which the bilious singer and lyricist explored his ideas without compromise. Depending on what period of the band’s career you choose, Public Image Ltd. (officially abbreviated PiL) could sound like bass-heavy post-punk thunder (1978’s Public Image: First Issue), an inspired fusion of Krautrock and dub (1979’s Metal Box), muscular and expertly executed alternative rock (1986’s Album), or polished but angular dance-friendly pop (1989’s 9), with many other stops along the way. Despite a constantly shifting lineup and musical approach, Lydon’s bitter howl — full of anger, pain, and sometimes sardonic wit — gave PiL’s many guises a musical and thematic through line, and at their best, his collaborators created music as powerful and absorbing as Lydon’s intense charisma. Lydon revived PiL for live work in 2009, and the reunion albums This Is PiL (2012), What the World Needs Now (2015), and End of World (2023) featured some of his strongest work since the ’80s.

On January 14, 1978, the Sex Pistols played the final show on their American concert tour following the release of Never Mind the Bollocks, Here’s the Sex Pistols, and three days later, the band split up. John Lydon first traveled to Jamaica, where he and Virgin Records head Richard Branson scouted local reggae talent, and then Lydon returned to London. Lydon soon approached an old friend, Jah Wobble (aka John Wardle), about forming a new band. In May 1978, vocalist Lydon and bassist Wobble recruited onetime Clash guitarist Keith Levene and drummer Jim Walker, and the four began rehearsing. Two months later, Lydon named the band Public Image, adding the Ltd. several weeks later. Virgin Records quickly signed Lydon’s new act, and their debut single, “Public Image,” was released in October 1978. It was a chart success, and the following December, the band dropped their first album, Public Image: First Issue. While the record sold well in England and did well in America as an import, it would remain unreleased in the United States until 2013. The group, in suitably contrary fashion, played their first live show on Christmas Day 1978.