About Tricky:
Different When It’s Silent is the first Tricky album in six years, and with good reason.
Since 2020’s Fall to Pieces the musician has released an album, and accompanying self-directed film, under the name Lonely Guest, an all-star 2021 project that included contributions from Oh Land, Marta Złakowska, Idles’ Joe Talbot, Murkage Dave, Maxïmo Park’s Paul Smith and, in one of his final appearances on record, Lee “Scratch” Perry. Three years later came Fifteen Days, a collaborative album from the artist born Adrian Thaws and producer Mike Theis, under the name Theis Thaws. Then, last year, he and Marta released joint album, Out The Way. All of those projects came out via False Idols, the label he founded in 2013. You can’t say Tricky’s not been busy.
But Different When It’s Silent is the first Tricky album in six years with bad reason, too. In 2019 his daughter died suddenly.
“To be honest with you, since my daughter died, I want to work,” Tricky begins, “I want to do stuff. But all the press, being on camera, everything just changed when she died. I’ve never been a pop star as such but: that made me even more want to go in the background.”
Pointing to Fall to Pieces, released the year after her passing, he says that “I was in pieces when I made that album. It was almost like I had to get that out of me. And then after that, I was more worried about Marta’s album or the label. So, I wouldn’t say I was reluctant to release music under my own name. But I wasn’t that interested, to be honest. I didn’t have the motivation. Releasing an album under your name, you got to do certain stuff. I can bring out a side-project with no press, no photographs, no videos, no tour, nothing at all. It’s easy.”
Then, in 2025, Tricky’s new manager Alan McGee heard the songs the Bristolian had been working on at his new home in France and in the studio in Bristol. In Tricky’s mind, this was to be another side-project. “Then Alan come to my house and I played it to him. He goes: ‘Mate, this is a Tricky album. This is the best thing since Maxinquaye. This has got to be a Tricky album.’ It was Alan who convinced me to put it out as a Tricky album.”
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
About feeble little horse:
feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.”bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album’s production–the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley’s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW–it is within these rhizomatic contradictions that bitknot proliferates
